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Nolan Kelly
About

Nolan Kelly
About

Essays & Criticism
  1. Art
  2. Film
  3. Literature
  4. Technology
Fiction
Filmmaking
Publications
Email
Instagram

©Nolan Kelly 2023
Hyperallergic ︎ 04/21/2022

Diane di Prima’s Autobiographical Work Never Received the Same Attention as Her Poetry

Bookforum ︎ 03/04/2022

Interview: Missouri Williams’s Philosophical Novel of Postapocalyptic Survival

The Brooklyn Rail ︎ 03/09/2022

Wolfgang Hilbig’s The Interim

Hyperallergic︎01/06/2022

Searching for (Artificially) Intelligent Life


Hyperallergic ︎ 11/03/2021

A Freewheeling Translation of Dante’s Purgatory

The Brooklyn Rail ︎ 09/01/2021

Motor City Underground: Leni Sinclair Photographs 1963–1978


Hyperallergic︎ 08/21/2021


A World Made of Words


Hyperallergic ︎05/22/2021

André Gide’s Pioneering Autofiction

Hyperallergic︎ 04/02/2021


Stories of Memory, Loss, and Paranoia


The Brooklyn Rail ︎04/01/2021

Maria Stepanova’s In Memory of Memory

Hyperallergic︎ 02/06/2021


The Last of the Storytellers


Hyperallergic ︎01/30/2021

Fernando Pessoa and His Fictional Coterie of Poets

Public Parking︎ 09/17/2020


A Brief History of Private Expression


Hyperallergic ︎09/05/2020

César Aira Portrays Artforum as an Object of Desire

The Brooklyn Rail︎ 09/01/2020


Andrei Monastyrski’s Elementary Poetry


Hyperallergic ︎08/01/2020


Climbing a Symbolic Mountain With a Surrealist Writer

Hyperallergic︎ 04/04/2020


Jonas Mekas’s Diaries Reveals His Uncertain Sense of Self


Hyperallergic ︎02/08/2020


Raymond Roussel’s Stories Are Based on Complex Word Games

All works Ⓒ Nolan Kelly 2023.



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