︎
Nolan Kelly
About
Essays & Criticism
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hypertext
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©Nolan Kelly 2024
Nolan Kelly
About
Hyperallergic︎ 02/08/2024
The Writer Who Made Movies to Get Out of the House
The Brooklyn Rail ︎ 10/01/2023
Geoffrey O’Brien’s
Arabian Nights of 1934
Hyperallergic ︎ 09/05/2023
Anne Truitt’s Journals Strike a Proustian Note
Hyperallergic ︎ 04/21/2022
Diane di Prima’s Autobiographical Work Never Received the Same Attention as Her
Poetry
Bookforum ︎ 03/04/2022
Interview: Missouri Williams’s Philosophical Novel of Postapocalyptic Survival
The Brooklyn Rail ︎ 03/09/2022
Wolfgang Hilbig’s
The Interim
Hyperallergic︎01/06/2022
Searching for (Artificially) Intelligent Life
Hyperallergic ︎ 11/03/2021
A Freewheeling Translation of Dante’s Purgatory
The Brooklyn Rail ︎ 09/01/2021
Motor City Underground: Leni Sinclair Photographs 1963–1978
Hyperallergic︎ 08/21/2021
A World Made of Words
Hyperallergic ︎05/22/2021
André Gide’s Pioneering Autofiction
Hyperallergic︎ 04/02/2021
Stories of Memory, Loss, and Paranoia
The Brooklyn Rail ︎04/01/2021
Maria Stepanova’s
In Memory of Memory
Hyperallergic︎ 02/06/2021
The Last of the Storytellers
Hyperallergic ︎01/30/2021
Fernando Pessoa and His Fictional Coterie of Poets
Public Parking︎ 09/17/2020
A Brief History of Private Expression
Hyperallergic ︎09/05/2020
César Aira Portrays
Artforum
as an Object of Desire
The Brooklyn Rail︎ 09/01/2020
Andrei Monastyrski’s
Elementary Poetry
Hyperallergic ︎08/01/2020
Climbing a Symbolic Mountain With a Surrealist Writer
Hyperallergic︎ 04/04/2020
Jonas Mekas’s Diaries Reveals His Uncertain Sense of Self
Hyperallergic ︎02/08/2020
Raymond Roussel’s Stories Are Based on Complex Word Games
All works Ⓒ Nolan Kelly 2024.
