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Nolan Kelly
About

Essays & Criticism
  1. Art
  2. Film
  3. Literature
  4. Technology
hypertext
Filmmaking
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©Nolan Kelly 2024
Nolan Kelly
About

REVIEW ︎ 11/14/2024

The End of Art History? 

November ︎ 11/11/2024

Interview: William Kentridge

The Architect’s Newspaper ︎ 11/07/2024

Two Anti-Spectacles

The Brooklyn Rail ︎ 10/09/2024

R. Jamin: Temperance


Interview ︎ 07/05/2024

At 77 Years Old, Pat Oleszko Finally
Gets Her Own Gallery Show

032c ︎ 02/27/2024

The Denatured Machine


New York Review of Architecture ︎ 06/16/2023

Eden in the Concrete Jungle

November ︎ 06/01/2023

Interview: Ann Hamilton


Spike Art Magazine ︎ 05/30/2023

At the Cost of Ambiguity: Wangechi Mutu’s “Intertwined”

The Brooklyn Rail ︎ 12/14/2022

Ann Hamilton: Sense


Spike Art Magazine ︎ 10/14/2022

Cruel Logic: “Art and Race Matters: The Career of Robert Colescott”

Pollinate ︎ 04/24/2022

Mungo Thomson: Time/Life

Pollinate ︎ 04/18/2022


Gala Porras-Kim: Precipitation for an Arid Landscape

Hyperallergic ︎ 04/02/2022


The Films of Jonas Mekas Are More Often Discussed Than Seen


Pollinate ︎ 04/01/2022


Interview: Extended Reality Onsemble on Gender Equity and Representation in Public Space

Hyperallergic ︎ 12/20/2021


Assemblage Art for the Age of the Online Shopper



Pollinate ︎ 08/07/2021


Plum Coutman: Emergency


The Brooklyn Rail ︎ 11/01/2019


Janine Antoni: I am fertile ground


All works Ⓒ Nolan Kelly 2024.